Originally from the western part of Arnhem Land (northern Australia), the artist has created a sculpture typical of the art of this maritime region. Hamish Karrkarrhba was a Kuninjku artist, known for his carved the mimih spirits, lorrkon and bark painting. Employing a fine rarrk (cross-hatching), ngalyod, crayfish and waterhole djang commonly feature in his paintings.
Hamish Karrkarrbha has exhibited regularly since the late nineteen nineties at leading art galleries around Australia and his work can be found in international collections. Hamish Karrkarrhba has depicted one of the protective spirits of the coast, whose images can be found on the walls of the caves where the Aborigines held their sacred ceremonies over 20,000 years ago: the Mimi spirits. Generally, these spirits are aerial spirits, characterised by their great slenderness and the fragility of a body that can break at the slightest breath of wind. They gave the aborigines their laws and customs; they taught them their ritual songs; and they are also the originators of pictorial art: according to legend, they were the first to paint the first silhouettes representing them on the vaults of sacred caves. The sculptor emphasised the long character of the Mimi spirit and also gave it the anthropomorphic features (head and arms) with which they are traditionally represented. However, the very abstract and "minimalist" way in which the facial features are painted may also evoke the ceremonial masks used by the initiates to celebrate the Mimi spirits. The work, made of wood and painted with natural pigments, is decorated with ritual and clan motifs specific to the tribes of Arnhem Land: these are mainly latticework, known as rarrk (to the west) and miny'tji or dhulang (to the east): whatever their name, it is these that give the sculpture its sacred dimension, symbolically investing it with the forces of the deity represented.